Mixbus is a full-featured digital audio workstation for recording, editing, mixing, and mastering your music.

With dozens of DAWs to choose from, there's only one that is designed to work like a Harrison, with an analog paradigm that embodies form, function, and sound. Where other DAWs use a computer paradigm, MIXBUS grows from Harrison's distinguished 40-year heritage of platinum records and blockbuster films, such as Thriller, Graceland, and Spider-Man. MIXBUS is the first full-featured DAW with true analog style mixing.

A Partial list of Mixbus features:

• Straightforward "knob per function" mixer layout based on Harrison's renowned music consoles.
• Precise emulation based on Harrison's famous 32 series analog console circuit designs.
• Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.
• The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.
• Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts. (limited only by CPU and disc speed).
• Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.
• Polarity, Input trim, High-pass Filter, Sweepable 3-band EQ, Compression, and 8 Mix Bus sends on every track.
• Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.
• Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.
• Comprehensive "at-a-glance" metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
• Extensive DAW editing features including "Smart Tool", Ripple Edit, and configurable keybindings for nearly every operation.
• Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX; and both VST and LV2 plug-ins on all platforms.
• Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync; video pullup/pulldown.
• Persistent undo (undo remains possible after closing and reopening a session).
• Fourth-generation Harrison "True Analog Mixing™" processing engine with enhanced compressor/limiter algorithms; built-in sidechain bussing, and increased plug-in flexibility.
• Support for video timeline, video window, and audio+video exports.
• Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.
• Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts.
• Audio regions are stacked in "layers", and every region fadein/out is a crossfade to the region(s) beneath it.
• Plugin "pin connection management" provides rich editing of signal-flow through each channel's path, including full support for dual mono, mono-to-stereo, sidechaining, and other advanced flows.
• The user interface scales to fit your monitor; larger monitors will get bigger knobs and sharper text.
• Refined workflow and graphics, including scaling and support for HiDPI (Retina) displays.
• Generic MIDI devices can use "MIDI Learn" to assign MIDI controls directly to on-screen knobs or use MIDI profiles to select many pre-configured device layouts from a pull-down menu.
• Mackie control protocol is provided for motorized fader controllers, and the Mackie protocols have been extended to ergonomically control the Mixbus channelstrip EQ, compressor, and 8 mixbus sends. Dedicated support is provided for popular devices like the Presonus Faderport, Mackie MCU, and Behringer X-Touch controllers.
• OSC (Open Sound Control) protocol supports ethernet-based wireless tablet controllers such as TouchOSC and Lemur for iOS and Android to remote-control Mixbus.
• Lua Scripting: Use the Lua scripting language to automate tasks such as track creation, renaming tracks, adding plugins, or creating "macro" operations.
• VCA Faders: Use VCA faders to control multiple channel faders at once. A fader can be assigned to multiple remote VCA faders, adding another powerful dimension of control and organization to your mixes.
• Tempo Ramps and Tempo Maps: Use advanced features to map your live recording's tempo and structure (no need to record to a click!) - or import a tempo map from MIDI.